May Day in Berlin 2012

I’ve picked up a bunch of stickers for May Day in the last few days, which is one of the reasons I chose to come to Berlin at this time of year (that plus a cheap ticket!).  On Monday, April 30, starting at 2:00 is Das Antikapitalistische Walpurgisnacht, a rally and “Reclaim Da Streets” concert in Wedding.  A march begins at 6:00.  More about the various activities and events can be found here, on the Indymedia Web site here, and SDAJ Berlin Web site here.

On May 1, Kreuzburg will hold its annual Labor Day festival with concerts on several stages, food booths, picnics, etc.  This year, 2012, marks the 25th anniversary of famous May Day riots in 1987 when unprovoked German police attacked peaceful protesters, causing looting, violence, and damage.  A new book from PM Press is coming out called Fire and Flames: A History of the German Autonomous Movement that includes a brief but useful description.  About the book, our friends at Amazon write:

  • Translated for the first time into English, the history of the German autonomous anti-capitalist movement is traced back to the 1970s in this firsthand account.  Battling police in riot gear, the early members of the autonomous movement used military tactics that included barricading and hurling Molotov cocktails in protest.  Dubbed the “Black Bloc” by the German media, those tactics were soon adopted by scores of anti-capitalist groups across the globe.  The dawn of the autonomous faction spawned a movement in which average citizens can reclaim their lives from governmental control.  Political activists and anti-capitalists will find updated historical context to the movement and the current state of the German autonomous movement in this updated chronicle.”

Yesterday, I went to Red Stuff in Kreuzberg and picked up some antifa literature, stickers, and posters.  They also had some interesting swag, including “Still Not [Loving] the Police!” canvas tote bags and ceramic mugs.  This seems to be a great example of the Situationist International concept of recuperation, wherein subversive works or ideas are co-opted and commodified by mainstream media.  I wonder what they’d have to say about that.  I really should go back and ask.

Other May Day activities include:

  • “… the ‘Overcome Capitalism!‘ trade unions march at 10:00 on Hackescher Markt, the ‘Prevent displacement – reduce rents – expropriate real estate companies!‘ demonstration at 17:00 on Mariannenplatz, and the ‘For the worldwide socialist revolution!‘ demonstration at 18:00 on Lausitzer Platz.”

May Day tourism was the topic of an article in Spiegel International in 2010 entitled Anti-Capitalist Tour Guide Offers Riot Sightseeing.  The Exberliner also offers May Day survival tips, including “Be prepared,” “Go in a group,” and “Do you need that camera?”

The Exberliner has additional background and history of May Day protests in an article called May Day for Dummies (April 9, 2010) in which the author Wladek Flakin writes about clashes in 1987 between the police and autonomists (inc. “feminists, anarchists, anti-imperialists, Stalinists, Trotskyists, and every other shade of ‘left’”), and subsequent annual protests the following years.  According to the article, “MyFest” was developed as an alternative in the early 2000s, “initiated by residents, but financed by the police,” which led to further counter strategies.  Nowadays, everyone seems to be involved in one way or another, including mass media and anyone else with direct or indirect vested interests.  Flakin describes those to join the demos to include “the usual ageing autonomists in leather jackets, Kreuzberg kids, and bored middle-class teenagers from the provinces,” as well as “workers, students, unemployed people, and youths angry about the misery of the education system [who] come together to fight for anti-capitalist change.”  I’ll be curious to see who shows up this year, though as I mentioned in a previous post, it’s not always easy to distinguish who’s who.  Everyone wears black, that’s for sure, and I’ve read to look at people’s shoes.  That’s the giveaway.

Thor Steinar storefront in Friedrichsain and other protests

I took an early evening bike ride on Thursday, this time southeast from Greifswalder Strasse along Danzinger, which functions sort of like a ring road.  Danzinger turns into Petersburger Strasse, and as I approached Frankfurter Tor, I noticed a couple of good-looking stickers on an electrical pole, but as I got closer, I could see they were covered with paint.  Looking around further, I saw a storefront with shattered and taped up windows, and in fact, the entire building façade and sidewalk below had been splashed with several layers of pink paint.

The shop was a Thor Steinar outlet, a right-wing company that has been criticized for what has been labeled a neo-Nazi clothing line.  You can see pictures from a protest demo in late February 2012 here.

The German text, “Die Modemarke ‘Thor Steinar’ transportiert rechtsextreme Ideologie und ist fester Bestandteil des rechten Lifestyles” translates roughly to “The fashion brand ‘Thor Steinar’ represents right-wing ideology and is an integral part of the right-wing lifestyle.”

I wrote about Thor Steinar in 2009 (though I didn’t have any stickers to show then), and given the controversy at the time, I thought the store in Berlin had been closed.  Turns out the store in Mitte had shut down (the one I wrote about in 2009) and moved east to Friedrichsain district.  I was surprised to see it yesterday at its location near the Warschauer Strasse U-bahn.  That part of town has always been difficult for me to figure out.  A lot of commuters were coming off trains, so it was busier than usual.  But there were also groups of young hippies and punks who were loitering around, drinking, getting ready to party, it seemed.  Everything was fine, but I didn’t linger.

Thor Steinar recently ran afoul again in the east German city of Chemnitz with an outlet store called Brevik, which to many sounds too overtly similar to the mass murderer Anders Behring Breivik of Norway.  I won’t go into detail, but you can read about it here.

On the other side of protest, yesterday my friend Nada showed me a few commercial storefronts in central Mitte that had been stoned by lefties protesting capitalism and gentrification.  I’ll get their company names and add info to this post later.  Lots of protests in Berlin these days, including one in the dark last night with a few hundred people on bikes and cops trailing in cars behind.  An “eco-protest,” I was told.

Walpurgisnacht, or Walpurgis Night

Arrived in Berlin safe and sound yesterday morning, slept, and spent a couple of hours in the late afternoon walking a loop around Prenzlauer Berg from Greifswalder Strasse up to Danzinger Strasse and back on Stredzkistrasse.  I collected about 60 stickers in just a few hours, mostly political and a bunch announcing May Day-related strikes and demonstrations.  The one below is for an anti-capitalist strike in Wedding on Walpurgisnacht, or Walpurgis Night, with several events listed hereWalpurgis Night is a traditional pagan spring festival celebrated April 30 or May 1, six months from Halloween, in which huge bonfires are lit and witches meet and revel with the gods.

Every sticker has a story, doesn’t it?  Walpurgis Night is mentioned in works by Goethe, Thomas Mann, Bram Stoker, and even Edward Albee’s Who’s Afraid of Virginia Woolf.  Apparently, Walpurgisnacht also signals the beginning of May Day riots in Berlin in Mauerpark where I walked yesterday.  There is a great flea market there on Sundays that Spencer Homick and I went to last fall.

Mieten Verdrängungen” above translates to “Rent displacements,” and you can see a guy getting kicked out of a house in the picture on the upper right.  There was another version of this sticker below that said “Bullen, Repression & Knäste?” or “Bulls, repression, & prisons?” and showing police beating somebody up, though many of these stickers had the illustrations cut out.  Not sure why.

One of my goals on this trip is to write every morning (rather than run myself into the ground collecting stickers – ha!).  I met some art students who are having a show opening tonight, Long Lonely Swims, at Kominek Gallery right around the corner from where I am staying, so I will check that out.  Off now to rent a bike!

STUCK UP review and two upcoming conferences

Another great outcome from CAA 2012:  I was invited to write a review of DB Burkeman’s traveling exhibition STUCK UP: A Selected History of Alternative & Pop Culture Told Through Stickers for the Journal of Curatorial Studies.  The show premiered at the SCOPE Art Fair in Miami last December and has traveled to Chicago and the 323East Gallery in Detroit.  You can catch it next at the New Bedford Art Museum and UGLY Gallery, Rhode Island (opening April 21, 2012).

The journal deadline was tight, which is why I haven’t been blogging lately.  That, plus I learned that two papers of mine have been accepted for conferences later this year: Return to the Street at Goldsmiths, University of London, and Riot, Revolt, Revolution at the University of Brighton, UK.  This line really caught my eye in the call-for-papers for the Goldsmiths conference:

“Considering this ‘return’ (although it is questionable whether we every really left the street), how might a line be drawn between the type of discourse which pays lip service to banal, neoliberal fetishised notions of street as site and object of subversive cool – incorporating graffiti, fashion, skateboarding, hiphop – and a more critical and engaged examination of processes of exclusion, confrontation and violence which constitute the everyday reality of life on and in the street.”

Rare S.D.S. stickers

After hearing my talk at the CAA conference last week, Fred Lonidier from UCSD sent me four S.D.S. stickers that date back to the late 1960s/early 1970s.  I’ve never seen anything like these before, but found that Kent State in Ohio has a box of S.D.S material in their Special Collections Library described as:

  • “The Students for a Democratic Society (S.D.S.) Papers contain various types of documentation and records which chronicle events precipitating and subsequent to the shooting of four Kent State University students on May 4, 1970, as well as other realia from the period.  Propaganda pamphlets and position statements from S.D.S. and other militant groups, as well as radio and television transcripts are among some of the items collected.  Realia include S.D.S. rally posters, adhesive-backed stickers, and three photographs.”

Here is an anti-Vietnam War sticker that Fred sent.

And this sticker with a quote by Bertolt Brecht seems fitting for the Occupy movement forty years later, doesn’t it?

College Art Association annual conference presentation, tomorrow!

The title of my paper is “WTF.  It’s Only A Sticker.”

T/err/ouristen raus!

Tourism and gentrification are on the rise in Berlin, with an estimated 20 million overnight stays in 2010 reaping nine billion Euros.  And the city hopes to grow that number to 30 million, according to the German newspaper, der Spiegel, which will make Berlin the third largest destination point in Europe after London and Paris.  In the past ten years, entire districts, especially in the former east Berlin, have been re-defined on the one hand by an influx of foreign tourists, yuppies, and backpackers and a growing number of cheap hostels, open-air bars, restaurants, and clubs, and on the other side of the spectrum, luxury condominiums, high-rise hotels, and sky-rocketing rents.  “Tourists are terrorists” and “Berlin hates you” are expressed in the stickers above and below.


By contrast, a company called AirBnB has created a new “welcome tourists” campaign, as seen in the sticker “ein Herz für Touris” or “A Heart for Tourists” (not pictured) whereby locals can rent out rooms in their homes to travelers.

We see street punks in hoodies, throwing rocks presumably, in the purple sticker below, which translates roughly to “the district is dirty; on the road against gentrification.” 

And this sticker announces a “city takeover” panel discussion and workshop to strategize against rising rents and call for a socially democratic and radical housing policy.

Anti-gentrification is more than just rhetoric, however.  A German Web site  Brennende Autos: eine Chronolgie der Brandanschläge maps over 600 Mercedes, VW, BMW, Audi, and Opel cars set on fire in Berlin between 2007 and 2010.  The Exiled Online writes that “[these] fires were completely in keeping with the increasingly rancorous anti-gentrification activism that also spawned the anti-tourism movement.”

STUCK UP and “They Live”

My “I’m Sorry (George W. Bush)” sticker is included in an exhibition entitled STUCK UP, A Selected History of Alternative & Pop Culture Told Through Stickers, which opens on January 20, 2012, and runs through March 3, 2012, at Maxwell Collette Gallery in Chicago.  The exhibition, which was curated by DB Burkeman, draws from his extensive personal collection and:

provides an unparalleled opportunity to explore the expanding role that stickers have played in popular culture over the past four decades.  ‘STUCK UP…’ features stickers from Street Art legends (Banksy, Barry McGee, Shepard Fairey, Space Invader, KAWS), and internationally lauded contemporary artists (Andy Warhol, Jenny Holzer, Keith Haring, Damien Hirst, Tom Sachs) shown side by side with anonymous stickers peeled from the streets of NYC.”

The exhibition opened at the Scope Art Fair during Art Basel | Miami Beach in December 2011.  For this project, Burkeman created seven large themed panels, sort of like what I’ve done in sticker exhibitions in the past, but his stickers look like they’re floating in air, which is pretty sweet.  My sticker is on the lower left of this panel, second row up from the bottom:

Aside from this, I watched John Carpenter’s 1988 film They Live yesterday on the recommendation of friends at Peace Paper.  With a more contemporary cast, the film could have been made in the last couple of years with its themes of corporate greed, capitalist consumption, police surveillance, and the role of advertising and the media in controlling human thought.  When the main character in the movie puts on a special pair of sunglasses, he is able to see the truth that alien ghouls run the banks and government and that billboards, magazines, and material objects contain subliminal messages to “OBEY,” “CONSUME,” and “MARRY AND REPRODUCE.”

Shepard Fairey is said to have been influenced by the film for his OBEY Giant propaganda campaign.

Montréal exhibition

A few people have asked to see installation shots of DE VIGUEUR et DE VERVE at Fresh Paint Gallery in Montréal (hello, Oli and Nada!), so here is a set of photographs on my Flickr site and a nice collection from flippybits.  The gallery space there is gorgeous with big windows on three floors facing out on the streets.  So much daylight made it difficult to get good photographs, but I’m going back up on Saturday and will try to take some better ones.  Don’t you like my OWS-style signage?!

I am also stickerkitty.com now having paid the Man for my own domain name.  What a crazy concept….

Happy new year 2012!

All roads have been leading me to read up on the Situationists in relation to theorizing stickers, including a new book I picked up last week at the Harvard Book Store in Cambridge entitled Viva La Revolucion: A Dialogue with the Urban Landscape.  (Waugh, I’m not a theorist….)

However, in the spirit of the new year, here’s a picture of me at the Pictoplasma character design art conference in Berlin in 2009!  Happy happy!

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